“I would like to give the impression of a passing glance; in other paintings, I am encouraging a longer reflection. Working within traditions while challenging the viewer, I hope to lure spectators into an extended reflection and contemplation.

"Is art about the materials that you use or is it how you use your materials to say something that will speak for your time and hopefully become a universal statement?…In many of my recent works, I have taken a closer look at the plants, wildflowers, and weed clusters throughout the field, looking more deeply at something that you often overlook. All together, my work evokes a much larger idea, that being the nature of our existence. And above all, the Pennsylvania, New York, and Maine topography serve as the most important foil, allowing me to highlight and express these concerns.” - Douglas Martenson

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Jeffrey Reed: Of Time, Light and Change

Gross McCleaf Gallery is pleased to present Of Time, Light and Change, a solo exhibition of new paintings by artist Jeffrey Reed. Attuned to the interplay of atmosphere, space, and light, Reed continues his practice of capturing the beauty of familiar landscapes through meticulous observation and thoughtful exploration. For over twenty-five years, Jeffrey Reed has returned to County Mayo, Ireland, painting and teaching at the Ballinglen Arts Foundation, his newest works thoughtfully capturing the subtle beauty and shifting atmosphere of Ireland’s coastal landscape.

Life, Still – Group Exhibition, Curated by Douglas Martenson

At first glance, Life, Still suggests the classical still life—carefully composed objects held in quiet contemplation. Yet, the title holds deeper layers of meaning, much like the paintings in this exhibition. It speaks to the act of pausing in stillness, engaging with the everyday, and reflecting on the persistence of life itself. Stillness does not mean stagnation; rather, it is a moment of attention, an embrace of presence, and a connection to what endures.

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“To me, a field is always shifting, evolving, changing. It is a complex ecosystem. I try to make sense of it, search for patterns to bring out objects, frame them with space that surrounds them. It becomes a meditative state that is romantic at its core. I am searching for the relationship between humans and their always-changing environment.”

-Douglas Martenson

In Resilience, Douglas Martenson delivers a captivating new body of landscape paintings that, while exuding beauty, challenge viewers to contemplate the fragility of our sensitive ecosystems.