"My subject is the city, the world outside my door. These paintings are straightforward representations of the things I see. There is a bit of magic in the early morning light on a wall, the cacophony of colorful signs in a shop window, or along a thoroughfare, and the reflections of light sparkling on the river. All these bits of life, and the sense of human habitation within the city, are important to me."
- Larry Francis
Fishing At Midvale, 36" x 40", Oil On Canvas
Larry Francis is a Philadelphia native who has painted on the streets of the city from the early part of his life in art. He studied painting at PAFA, where he was awarded the J. Henry Schiedt European Traveling Scholarship in 1970. His first career solo show was held at the Peale House Galleries of PAFA in 1979.
Over the years, Francis has received a number of awards, including the Julius Hallgarten Prize from the Academy of Design, New York in 1972, the Mary Butler Award from the Fellowship of PAFA in 1996, the Charles Knox Smith Founders Prize at the Woodmere Art Museum in 2002 and a Prize for Painting at Cheltenham Art Center in 2011.
His work is in many public and private collections, including the Noyes Museum of New Jersey, Woodmere Museum in Chestnut Hill, and the Federal Reserve Bank, Philadelphia. Francis is represented by Gross McCleaf Gallery, where he has had a dozen solo shows. He can be seen in the short film Larry Francis: Painting Philadelphia, by John Thornton.
Divine Lorraine Hotel, 36" x 48", Oil On Canvas
Divine Lorraine Hotel
36" x 48"
Oil On Canvas
"I have always liked buildings. When I was 7 or 8 years old, I had a stay in the hospital. I must have drawn houses a lot. My parents said, 'he's going to be an architect'. Well, I'm still drawing buildings.
I do love living, growing things, but I usually paint them in the man-made environment - grass sprouting in the cracks in the sidewalk, trees that manage to push their way up along railroad tracks.
I would like my work to have a sense of the life of the city, not a tourist snapshot, really of the city. I think the best thing about my work (aside from any lasting quality it may have) is that I'm out there painting right on the street and people can enjoy watching the paintings develop."
- Larry Francis
Mason's, 24" x 30", Oil On Canvas
Many painters have captured scenes of everyday life, however, the paintings of Larry Francis are full of a glowing delight, derived from a fascination with the atmosphere of city life. Philadelphia is a frequent subject of his work, the pieces reflecting the personality of the industrial, yet often quaint, metropolis. Some of his paintings find nooks of the city that are serene; the secluded neighborhoods and parks that visitors do not always get the chance to see. Some are more active scenes; the bustling downtown areas and buildings that are more iconic to Philadelphia and the surrounding areas.
Francis uses gouache and oil paint to capture the light of the golden hour of the city with warm, luminous hues. He renders the most beautiful days in Fairmount Park, with crystal clear reflections of the sky on the water of the Schuylkill River. His paintings are refreshingly straightforward - nothing seems to be hidden - yet they often leave the viewer curious to learn more of the story. The joy infused into these works is infectious, and viewers might find themselves feeling nostalgic for a place they have never been.
Larry Francis has been showing with Gross McCleaf Gallery since 1982, and is currently an instructor in painting at the Pennsylvania Academy of the Fine Arts, where he studied from 1967 to 1971.
“My work seeks to find throughlines from the ancient past to present to future. I want to know how things change through time and how they stay the same.”
- Morgan Hobbs
Gross McCleaf Gallery is pleased to present Chronolith, Morgan Hobbs’ first solo exhibition in Philadelphia and with the gallery.
Guest writer Lauren Whearty says: “Hobbs’ body of work focuses on the slow and methodical process of building a language - a new form of communication through paint, papier-mâché, and image. Each symbolic form is a building block for a wide array of possibilities with the potential to make new meaning through different combinations, or to break down the strength of an individual symbol into a more democratic piece of a larger whole.
Long before recorded history, humans identified divinity in the natural world. Across the globe, cave paintings and petroglyphs represent the land, the animals and the supernatural. Prehistoric burial mounds and henges of Northern Europe align with equinoxes and solstices. At Newgrange in Ireland, decorated stone carvings record the phases of the moon and depict rays emerging over the horizon at sunrise. Contemporary viewers can only infer the exact meanings of these monumental relics, etched with waves, spirals and diamonds juxtaposed with recognizable imagery.
As contemporary innovation, architecture, technology and design increasingly position each person as the master of their own exclusive universe, the artists in Concerning The Spiritual In Landscape have humbly venerated the life-giving light, ever-present matter and perpetual cycles of nature that bring forth all things.
Elizabeth Johnson: In John Thornton’s video, Larry Francis Is Philadelphia’s Most Enjoyable Artist, you mention growing up among model trains and planes. Do you think that makes you see reality as a sort of toy world? A place to play?
Larry Francis: Perhaps all art is a toy representation of real life. We lived over my dad’s bicycle shop. He built model airplanes (some of his own design) and train platforms with houses, landscaped hills, and bridges. My mom was always making centerpieces or other crafty projects. I drew things and took art classes in high school. Between 11th and 12th grades I sold my motorcycle to attend a summer art camp, where I did my first oil painting with the teacher’s paint. My parents bought Time Life books for me on American art and world art. My favorite thing was watching black and white movies on The Late Show. I think all this mixed together with the craft of making things...
“I want to work directly with the subject as much as possible. Most of my painting sites are familiar to me. My goal is to keep finding new subjects to paint, in the city and elsewhere, with a beautiful sense of light and some bit of life.”
- Larry Francis
Gross McCleaf Gallery is pleased to feature a solo exhibition by Larry Francis, a much-beloved painter of the Philadelphia regional scene. Francis is a thirty-year veteran of the Gross McCleaf roster and has consistently painted engaging, everyday scenes of identifiable neighborhood locales. You Are Here is another achievement in his pursuit, featuring over twenty new landscape and cityscape paintings of sites mostly within fifty miles of the Schuylkill.
“I have a longing for a certain beauty that’s hard to describe, but it’s usually associated with summer colors. My desire for this summertime feeling seems inexhaustible, and though I’ve been trying for many years, I don’t feel like I am ever really satisfied.”
- Kurt Moyer
For over a decade, Kurt Moyer’s work has combined his love of nature with his reverence for art history. Born in Southeastern Pennsylvania, Moyer spent much of his youth exploring the Barnes Collection in Merion, Pennsylvania. Moyer now resides in rural New York near Rochester where he spends his time plein air painting from the beginning of spring until late fall. These passions converge in Moyer’s new abstract paintings on view at Gross McCleaf...
