Agrarian Diffraction (SOLD)
40" x 60"
Oil On Linen
Allegheny Plateau Vista (SOLD)
34" x 60"
Oil On Linen
Autumn Sunset On Aspen (SOLD)
28" x 20"
Oil On Linen
Blue Sky Plateau (SOLD)
16" x 12"
Oil On Linen
Last Reach Of Light Clouds And Sign (SOLD)
34" x 60"
Oil On Linen
Millay's Woods (SOLD)
9" x 12"
Oil On Masonite
Post-Storm Light (SOLD)
20" x 30"
Oil On Linen
Shipping Lanes, New Orleans (SOLD)
3.38" x 4.5"
Oil/Linen Mounted On Birch Panel
The Wide Deep River (SOLD)
3.25" x 3.5"
Oil/Linen/Mounted On Panel
Toward Evening: Beach (SOLD)
54" x 38"
Oil On Linen
Veritas Caput (Itasca) (SOLD)
48" x 36"
Oil On Linen
"My working methods take cues from the principles of flow and chance found in natural processes of water, geology, and weather. At the same time, my paintings are images of those lands... water-sculpted places from the Mississippi River to Cape May beaches, and Scottish Highlands to Pennsylvania Waterfalls."
- Thomas Paquette
Stay In I (Orange), 3.25" 4.13", Oil/Linen Mounted On Birch Panel
My only scholarly diversion from studying art in college and graduate school was when I studied to be a naturalist. Nature continues to be my teacher as well as my enduring painting subject because it astonishes me daily.
Everything from the momentary whims of weather to the massive yet imperceptible motion of continents serves as mentor and guide as I build up and scrape off layers of color to get at something more vital and essential about my subject than a superficial rendering would reveal. And just like the timeless work of nature, it doesn’t matter how long this process takes. It is only important that the painting evolves into a living talisman of the place that inspired it.
The vitality of the subject is held in the paint, and it may take several years of creation, destruction, and re-creation to best capture that, like a cut in a hillside tells the Earth’s dynamic tale. My studio has a good stash of interesting rocks collected during travels to remind me of this.
Shipping Lanes, New Orleans, 3.38" x 4.5", Oil/Linen Mounted On Birch Panel
Pennsylvanian Thomas Paquette has been a full-time artist for over thirty years. Raised in Minneapolis, he dropped out of art school in his first year, intent on seeing the wider world up close. On and off for seven years, he explored the landscape in an unusual way, wandering around by hopping on freight trains carrying him on long journeys to the edges of the continent. He worked as a welder during some of that time and as a naturalist at others, before returning to college to earn a BFA in Painting at Bemidji State University, where he graduated summa cum laude. He completed his MFA in Painting on a full fellowship from Southern Illinois University at Edwardsville in 1988, and has been a full-time painter ever since then.
Following formal studies, Paquette was awarded a three-year residency- fellowship in Miami Beach by the National Foundation for Advancement in the Arts. Subsequent residencies include American Academy in Rome, Aegean Arts and Cultural Exchange, Millay Colony, Blue Mountain Center, and Acadia, Yosemite, and Rocky Mountain national parks.
Onoko, 54" x 38", Oil On Canvas
Onoko
54" x 38"
Oil On Canvas
Clouds So Inclined (Study), 3.38" x 2.68", Oil/Luan Panel
His paintings have been featured in more than sixty solo exhibitions in museums and prominent galleries in New York City, Chicago, Philadelphia, Minneapolis, Washington, DC, and elsewhere. On Nature's Terms, a 70- painting solo exhibition, traveled in 2014-15 to art museums in California, New York and Indiana: Wildling Art Museum, St. Bonaventure Quick Center for the Arts, and Evansville Museum of Art.
Another traveling solo exhibition titled America's River Re-Explored: Paintings of the Mississippi from Source to Gulf was mounted at three museums in 2018-19: Minnesota Marine Art Museum, Watermark Art Center, and Dubuque Museum of Art. Other independent solo museum exhibitions of Paquette’s paintings were mounted at Erie Art Museum, Georgia Museum of Art, The Rockwell Museum, and Westmoreland Museum of American Art.
Forty of his paintings have been selected to hang in nineteen U.S. embassies on five continents, including in the cities of Rome, Brussels (NATO permanent collection), Athens, Vienna, St. Petersburg, Moscow, Taipei, and Santiago. His works are included in numerous private, corporate, museum and state collections, and he has given talks at museums and universities in the U.S., and in Greece, Wales, and England.
Paquette completed several commissions for public and private entities, the largest of which were pieces for the state of Minnesota (one at 32 feet in length, and another at 11 feet) and the Federal Reserve Bank of Minneapolis (a cycle of four works measuring 7- by 6-feet each).
He currently lives on the edge of the Allegheny National Forest in northwestern Pennsylvania.
Artist Has Painting Selected For Display At US Embassy In Canada
Times Observer
A local artist has had another painting selected to be on display at a decidedly international location.
Thomas Paquette’s “Onoko” has been borrowed by the U.S. Department of State where it will be displayed at the U.S. embassy in Ottawa, Canada. The painting, oil on linen and 54 by 38 inches, will be displayed in the public embassy of the area for three years.
Paquette explained that the painting provides a view of a now-inaccessible waterfall in eastern Pennsylvania, Glen Onoko Falls.
Just days after his visit to paint the falls, public access to it was suddenly and permanently closed due to safety concerns.
This honor in Ottawa is one in a long line of similar recognitions. His work has been displayed at 21 embassies from places as varied as Santiago, Moscow, Taipei and N’Djamena in Chad...
Elizabeth Johnson: You won third place in The State Museum of Pennsylvania's Art of the State (2024-25), with GH Old-Growth Forest. I love this piece for its horizonal format and left-to-right transition from darkness to light; magenta edges really work to activate this forest. Can you talk about how the idea for this piece came about, the stages you worked through, and why you chose it for the State Museum show?
Thomas Paquette: For the last couple years, I have been scouting the remnants of eastern old-growth forests that are still standing, from New England to beyond Lake Superior. In a painting, the difference between old-growth forests and a regenerated forest can be elusively subtle, but I sense the profound difference when I am in the middle of one. In retrospect, I suppose the format of GH Old-Growth Forest was a rather unselfconscious desire to have a sort of panoramic view of something we don’t normally experience that way. A seeing of the forest and the trees...
“Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of the earth.”
– Henry David Thoreau
Gross McCleaf Gallery invites you to experience the magic of summer with a group exhibition titled Summer Playlist. Curated like a finely tuned mixtape, this vibrant selection of works explores seasonal themes of celebration, relaxation, and engagement with nature.
Long before recorded history, humans identified divinity in the natural world. Across the globe, cave paintings and petroglyphs represent the land, the animals and the supernatural. Prehistoric burial mounds and henges of Northern Europe align with equinoxes and solstices. At Newgrange in Ireland, decorated stone carvings record the phases of the moon and depict rays emerging over the horizon at sunrise. Contemporary viewers can only infer the exact meanings of these monumental relics, etched with waves, spirals and diamonds juxtaposed with recognizable imagery.
As contemporary innovation, architecture, technology and design increasingly position each person as the master of their own exclusive universe, the artists in Concerning The Spiritual In Landscape have humbly venerated the life-giving light, ever-present matter and perpetual cycles of nature that bring forth all things.
Elizabeth Johnson: Your website bio mentions that you dropped out of your freshman BFA studies and traveled the country for six years. What did traveling touch that book learning did not?
Thomas Paquette: During my “hobo years," I went on several adventures by freight train and hitchhiking that lasted anywhere from a week to several months. But it wasn’t a full-time gig: I always gravitated toward further education. When I wasn’t enrolled in colleges (I attended five), I used public libraries to follow my own curriculum.
EJ: You seem to value surprise...
“Landscape is indeed an inspiring subject to someone who values surprise, change, nuance, and natural processes. Landscapes are intrinsically creative forces. First, they evolve as complex systems from the interactions of geologic, biotic, and climatic forces over time. Then, when experienced as subjective witnesses, landscapes offer a light unique to that moment. The observer sees not just with her eyes but with layers of knowledge, familiarity, emotions, and, most crucially, curiosity.”
-Thomas Paquette
On Nature features over thirty new landscape paintings from Gross McCleaf artist, environmentalist, and explorer, Thomas Paquette. Brilliant arrays of color depict lush terrain, hazy mountains, rushing rivers, and panoramic vistas, where subtle and sensitive details in light and atmosphere are perfectly captured.
“I have a longing for a certain beauty that’s hard to describe, but it’s usually associated with summer colors. My desire for this summertime feeling seems inexhaustible, and though I’ve been trying for many years, I don’t feel like I am ever really satisfied.”
- Kurt Moyer
For over a decade, Kurt Moyer’s work has combined his love of nature with his reverence for art history. Born in Southeastern Pennsylvania, Moyer spent much of his youth exploring the Barnes Collection in Merion, Pennsylvania. Moyer now resides in rural New York near Rochester where he spends his time plein air painting from the beginning of spring until late fall. These passions converge in Moyer’s new abstract paintings on view at Gross McCleaf...
Gross McCleaf Gallery is pleased to announce two solo exhibitions of new paintings by gallery artists, Natasha Das and Max Mason and a collection of mini exhibitions, featuring the work of Giovanni Casadei, Rhea Cutillo, Ying Li, Scott Noel, Thomas Paquette, Jeffrey Reed and Val Rossman.
Textures created with thread are to Natasha Das what brushstrokes are for other artists: fundamental, visceral, expressive elements. Das’ labor-intensive compositions convey her unique voice by representing an engagement with both abstraction and the weaving tradition of her native India, lending an autobiographical component to her work. . .
